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*In April 2022, the university announced our new name of Toronto Metropolitan University, which will be implemented in a phased approach. Learn more about our next chapter.*

Dr. Cynthia Ashperger

Professor; Head of International and Special Projects
DepartmentSchool of Performance, Faculty of Communication and Design
OfficeAOB 921-57
Phone416 979 5000 ext. 6784
Areas of ExpertiseActing training; theatre and exile; issues of the audible minority as they relate to representation in theatre, film, and radio and TV

Dr. Ashperger has over thirty five years of professional experience as an actor, director, producer and playwright. She has been a core Acting teacher at Ryerson School of Performance since 1994 and was appointed Director of Acting Program from 2004 to 2019. She received training in Stanislavski-based curriculum and a number of other methods as diverse as the American Method, Balinese Mask, Butoh dance and Michael Chekhov’s Acting Technique. Her teaching philosophy has developed as a hybrid of Chekhov technique and other methods and she have disseminated the benefit of hybridization of a variety of methods in teaching in her book The Rhythm of Space and the Sound of Time: Michael Chekhov’s Acting Technique in the 21st Century (Rodopi, 2007). In the classroom, she emphasizes investigation. She aims to help the actor find creative freedom through many-leveled acting. She encourages the desire to transform, and the ability to think conceptually and abstractly. She is interested in helping students overcome their creative blocks and she researches and utilizes innovative methods within the traditional rehearsal process. She uses these methods in her directing work. She has directed forty productions and scene studies. As a master teacher she has been invited to teach extensively nationally and internationally. She has also facilitated and raised funds for the Acting Program’s yearly “Croatia Trip”: a week-long intensive workshop offered in partnership between Michael Chekhov Europe and University of Zagreb (Croatia). Her acting work has garnered two prestigious nominations for immigrant themed productions: Dora Award, Outstanding Performance for her role in Jordan Tannahill’s Feral Child in 2013, and Canadian Screen Award, Best Performance by an Actress in a Supporting Role for Igor Drljaca’s The Waiting Room in 2016. She is a published author in both academic and creative disciplines. Most recently her musical comedy Foreign Tongue has been published in a collection of plays titled Scripting (Im)migration: New Canadian Plays. She has been involved in new play development as an actor, director and writer with a number of Toronto’s theatre companies such as Native Earth, Volcano Theatre Company, Nightwood Theatre Company, Suburban Beast, 4th Line Theatre and her own playinc.productions.

TMCIS occupies space in the traditional and unceded territory of nations including the Anishnaabeg, the Mississaugas of the Credit, the Chippewa, the Haudenosaunee, and the Wendat peoples, and territory which is also now home to many diverse First Nations, Inuit, and Métis peoples. This territory is covered by Treaty 13 signed with the Mississaugas of the Credit, as well as the Williams Treaties signed with multiple Mississaugas.